About the Work
This body of work functions as a collection of field notes. Each project documents places as they exist now, shaped by both natural processes and human presence. Rather than focusing on landmarks or definitive moments, the work centers on atmosphere, texture, and quiet shifts in light and space.
Many of these images are made through repeated visits. Returning allows patterns to emerge and changes to reveal themselves gradually. What interests me is not only what a place looks like, but how it feels to move through it, to pause, and to notice.
These photographs are less about recording history and more about presence. They reflect an ongoing practice of looking carefully, honoring slowness, and approaching places with respect for their rhythms and stories.
This work is an evolving record of observation, shaped by time spent outdoors and a commitment to looking closely.
What I Shoot With
I work with a small set of cameras chosen for their simplicity and responsiveness. I move between film and digital depending on pace, light, and the way a place asks to be photographed. Film encourages slowness and deliberation, creating space to wait, observe, and commit to an image. Digital allows for responsiveness and repetition, making it easier to follow movement, changing conditions, and subtle shifts over time.
Canon AE-1 Program (35mm film)
Minolta Maxxum 3xi (35mm film)
Canon Sure Shot AF35M II / Auto Boy II (35mm film)
Canon IXY 650 (Digital)
Kodak PIXPRO AZ528 (Digital)
Using both mediums keeps my practice flexible while reinforcing the same core approach: attention, patience, and presence. The tools may change, but the act of looking remains consistent.